Apple Motion 2 Guia do Utilizador descarregar pdf (Página 4)

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Working in Apple Motion

This section provides information on installing Boris Continuum Complete into the Apple Motion user interface.

Applying BCC Effects as Filters

The Boris Continuum Complete Þlters are divided into eight categories: Color & Blurs, Distortion & Perspective,

Effects, Generators, Keys & Matte, Lights, Time and Wipe Transitions Þlters. The Þlters appear in the 3rd party Filters

category in the Library.

Click the Library tab in the File Browser, press Command-2 or

choose Window> Library to open the Library.

Click the

3rd Party Filters category

on the left side of the

window.

Click the appropriate Þlter category on the right side of the

window.

The Þlters in the chosen category display at the bottom of the

Library.

Drag the appropriate Þlter thumbnail to the Canvas or the

Layers Pane.

You can now adjust the Þlters in the Inspector or the Dashboard.

See the next section for details.

Render BCC effects the way you would any other effect in

Motion.

Adjusting BCC Effects

Once you apply Boris Continuum Complete Þlters, you can adjust

the Þlters in the Filters tab in the Inspector or the Dashboard.

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Click the

Inspector tab

or press Command-3 to view the Þlter parameters in the Inspector.

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You can also adjust the most common parameters in the Dashboard. If the

Dashboard does not automatically display, choose Window > Dashboard

or press F7.

Applying BCC Effects as Transitions

BCC Þlters can also be used to transition between clips. Several BCC Þlters such as the Wipe Transitions animate

automatically. The other effects apply as static transitions and you need to manually keyframe the transition from the

unÞltered outgoing shot to the unÞltered incoming shot.

Some transitions can be created by applying a single effect. This method only works with some effects, for example the

Wipe Transitions and effects that include a foreground and background. Since many effects do not auto animate, you

must keyframe parameters to transition from the unÞltered outgoing shot to the unÞltered incoming shot.

For example, a single Page Turn Þlter can animate so that the Page peels away to reveal the incoming shot. For effects

that do not include a foreground and background, for example a Ripple, you can animate from no ripple to a rippled

image on the outgoing shot. Animating the Layer Opacity will then fade the rippling clip to reveal the incoming shot.

Click here.

Choose the

ﬁlter.

Choose the

category.

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