Apple Final Cut Pro 5 Manual do Utilizador Página 14

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Final Cut Pro X for Final Cut Pro 7 Editors
Placing Video and Audio Separately
In Final Cut Pro 7, you specify destination tracks in the Timeline patch panel to place
video and audio separately. When you add a clip to the Timeline in Final Cut Pro X,
you can specify whether to add just the video, just the audio, or both.
Final Cut Pro 7 Final Cut Pro X
Source and Destination controls for specifying
destination tracks
Use the Edit pop-up menu below the Browser
to select how clips are edited:
All (Shift-1)
Video Only (Shift-2)
Audio Only (Shift-3)
Insert vs. Overwrite Mode and the Position Tool
When using the default Select tool in Final Cut Pro X, editing operations cause clips
to ripple in the Timeline. This behavior is similar to an insert edit or ripple delete in
Final Cut Pro 7. Final Cut Pro X also allows you to trim clips and add them to specic
places in the Timeline, even creating gaps, using the Position tool. This behavior is
similar to the default selection behavior in Final Cut Pro 7.
Final Cut Pro 7 Final Cut Pro X
Insert (drag to Timeline) Default function of the Magnetic Timeline
Overwrite (drag to Timeline) Drag with the Position tool (P)
Ripple Delete Delete
Lift (Delete key) Lift (Shift-Delete)
Ripple, Roll, Slip, and Slide Edits
In Final Cut Pro X, editing tools adjust dynamically to allow you to ripple, roll, slip, and
slide your edits.
Final Cut Pro 7 Final Cut Pro X
Trim in the Timeline, leaving a gap Trim in the Timeline with the Position tool (P)
Ripple tool (RR) The default Select tool changes to the Trim tool
when you move the pointer near an edit point
(drag the edit point to perform a ripple edit)
Roll tool (R) Trim tool (T)
Slip tool (S) With the Trim tool active, drag a clip left or right
Slide tool (SS) With the Trim tool active, Option-drag a clip
You can also slip, slide, and reposition clips in the Timeline while leaving any connected
clips in place. Hold down the Grave Accent (`) key while dragging with the Position or
Trim tool to aect the clips in the primary storyline but leave connected clips in their
original positions.
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